Well to say I was looking forward to this after the last party may have been a bit of an understatement. I say "was" looking forward to, because after a particularly techno heavy 4 days in Berlin last week I was feeling somewhat jaded all this week and more like sitting at home on the couch watching whatever shit was on TV, feeling sorry for myself, stuffing my face with food and drinking a year old bottle of red wine mainly used for cooking because I can't be fucked dragging myself to the shop.........Which is about a one minute walk from my house.
As it turned out though, London turned on some nice sun rays during the day and after throwing a frisbee around in a park for 3 hours and gorging myself on BBQ food I felt surprisingly up for it. I was also going to a friends birthday which was right around the corner so it felt kind of like fate that I should go.
Who am I kidding? After the last one and being told by people that Matt John plays a wicked long set, I was always going.
The venue this time, although still not in the place they originally stated all the parties were going to be in, was in Hoxton. I don't really know what happened this time because the promoters stayed pretty quiet leading up to this event, but be it a licensing issue or whatever it didn't really matter. There is something cool about skipping around venues and I have to say that I liked this one a lot more than the last one. Something about having proper toilets instead of port-a-loos. Though that was somewhat ruined by the massive shit some guy had taken upstairs which had attached itself to the side of the bowl, stank, and no matter how much you tried to piss it away down the bowl, just wouldn't budge. Fuck knows what that guy had been eating, but whatever it was, it was stupidly adhesive.
Anyway less about shit and more about the party, which wasn't. Shit I mean.
Yes, yet again it was very good. The venue was one of those abandoned office space type affairs which are awesome to walk around because there are lots of hallways to wander around and dark little areas you have to search through which is vaguely disorientating and adds to the experience of being transported to some strange techno world where all that matters is music and dancing.
The equation for a good party is so simple it seems criminal that hardly anyone else in London is working it out. A room, plus a good sound system, plus a wicked DJ equals fun.
There was a smoke machine at this one as I am sure there was at the last, but it had much more of a workout this time which equated to some fucking cool fogged out madness where time and space seem to stop and you're not really sure where you are, which direction you're facing, who you're standing next to and where bass drops sound like an apocalypse. Cool. People should go crazy with fog monsters more.
They had the now familiar "This must be the place" red neon sign up on the wall, and the really cool granny standing lamp as a DJ light again which added a feeling of continuity carried over from the first party.
Overall the impression is of a really well organized house party.
Again the funktion one was in attendance. This time there was a little bit of a flat spot in the sound towards the front where the DJ was, but that is being excessively picky. Generally it was a great sounding system, and when you consider they have changed venues twice now and how hard it is to tailor sound for specific places it's incredible how good it sounded. As long as you stayed towards the middle or the back it was perfect. Also maybe my ears are being overtly picky after spending a good stab of time at Watergate last week.
The music was an entirely different kettle of fish to last time which was to be expected, with Mr John playing music exactly like the aforementioned weekend in Berlin provided.
You know it, much more stripped back, with that straight beat and plenty of percussive elements.
It had less obvious flow than the month before, which is no bad thing, although he did build it really nicely to a massive centre section where beats would drop out in a haze of sharp percussion and noise and slam back with a huge amount of force. This generated genuine hands in the air moments with plenty of crowd appreciation in return. The dropout mix to a
Doors sample of
Break on Through to the Other Side if I remember correctly, got lapped up by the crowd and got plently of cheers.
There were a couple of super tight loopy tracks that he used as great builders right before the more slamming middle section. I think I enjoyed those moments most. Where your brain almost makes up a melody for you and you could look around and see people getting lulled into a false sense of security before the onslaught was about to happen. Fun, fun.
I think one of the best things to say about Matt John is his ability to connect with a crowd. He looks genuinely happy to be there and this rubs off on the audience. Its hard to be cynical about someone when they look like they are having so much fun.
His technical skill as a DJ is pretty staggering as well. The music more or less passed me by in a blur because watching him work two turntables, plus Traktor scratch pro and whatever midi controller he was using was so impressive. It was the jumping between Traktor playing tracks internally and then mixing standard vinyl over the top and then back into Traktor I found so impressive, whilst covering 3 channels at once sometimes. I also appreciated watching his skill as a beat matcher. I know, I know, anyone can learn it, but having been DJ'ing for over 15 years I know I don't generally slap a track in without listening to it and pretty much work the pitch over the club PA to get it in time. Its nice to see someone still giving standard DJ'ing a good nudge as well in this internally beat matched world we live in these days. I think no matter what anyone says, playing when the need to mix is taken out of the equation changes the way DJs choose music to play and therefore ends up changing the
way they play. I think mostly to the detriment of a decent flow. Less thought about how they are going to get somewhere in a set and how to bridge the gaps to get there as you don't need to think about it as much anymore.
This is of course, just my opinion. But I do own Traktor and have pretty much stayed away from the internal mode since working out it completely changed the way I play.
Whatever. I was just happy to see he still had standard beat matching skills mashed in with his internal beat matching set up. Call me old fashioned.
Anyway, Matt managed to avoid any issues with flow and provided a damn solid nights entertainment. So thumbs up there. I think it was the perfect follow up DJ to Mayer's night of Cologne style fun. (which for me still shades Matt's set, but that's not an insult as Mayer was totally on and totally wicked the month before) And it is so nice that the promoters aren't totally raping just one sound for this series of parties.
As with the last time, the door staff, bouncers and bar staff were exceedingly polite, helpful and even smiled. Again, so rare for a night out in London, and a very important part of what makes these nights great.
And again. A total lack of cunts. So a good crowd then. People that looked like they were there for the music.
So. A solid thumbs up from me. As a party it totally stood up to anything I have experienced in the world, and it gets a tip of the hat from me.
That's two for two. See you at the next one.
Next up was Visions of Trees. I have to say the first time Lyndall sent me one of their tracks my immediate thought was, this is indie Enya.
